Taína Asili

Location
, Philadelphia

Taína’s art carries on the tradition of her “Puertorriqueño, Taíno and African ancestors, blending spoken-word, poetry, song, visual art, and creative writing — historically voiced by my ancestors through poetry-prayer-songs called arieto and etchings archeologists call petroglyphs and hieroglyphs.” She weaves stories of resistance, anti-colonialist struggle, desecration of spirituality, and ancestral remembrance into her stories. Starting as a singer classically trained by a local Peruvian Opera singer, Taína later found punk rock, as she desired to move beyond the limitations of classical music. For eight years, she “wrote and sang songs of rage and resistance” with Antiproduct, touring the country and putting out four albums. During this time, she fell in love with spoken word and after a trip back to her homeland, Puerto Rico with her brother; together they created the spoken word group, Rebel Poets. Taína moved to Philadelphia to be closer to a Puerto Rican community, teaching poetry and drawing in many places, including Taller Puertorriqueño and a women’s correctional facility. She works collaboratively with groups like Nzinga7 Arts Collective, a Philadelphia-based women’s afro-modern dance collective with whom she performs choreo-poems and sings with the underground Puerto Rican punk rock/hip hop band, Ricanstruction. Her art is not just “politically conscious, but it is based in the concrete organizing work” she does in her community, using “art as a weapon for the mental and physical transformation and freedom” of her people. The goal of her art is for it to “speak to and with as many of those as possible who find themselves along the margins” of society.

Awarded Grants

2005
Art and Change Grant (ACG)

$2,500
Discipline(s)
Performance
Visual Arts
Social Change Intents
Cultural Preservation

Taína will visit with her mentor, Naniki Reyes Ocasio in Puerto Rico, who will offer resources and assistance to help in completing her book, Esclavos to Sun Bearers: Poetry, Recipes, Artwork and Prayers for the Health and Healing of Puertorriqueños (working title). This opportunity will focus on learning ancestral wisdom about food, herbs, nature, and the arts as mediums for healing to resist colonized ideas of culture and identity that still exist.

Caney 5th World Learning Center

2005
Leeway Transformation Award (LTA)

$15,000
Discipline(s)
Media Arts
Multidisciplinary
Social Change Intents
Displacement / Migration / Immigration
Cultural Preservation

Taína’s art carries on the tradition of her “Puertorriqueño, Taíno and African ancestors, blending spoken-word, poetry, song, visual art, and creative writing — historically voiced by my ancestors through poetry-prayer-songs called arieto and etchings archeologists call petroglyphs and hieroglyphs.” She weaves stories of resistance, anti-colonialist struggle, desecration of spirituality, and ancestral remembrance into her stories. Starting as a singer classically trained by a local Peruvian Opera singer, Taína later found punk rock, as she desired to move beyond the limitations of classical music. For eight years, she “wrote and sang songs of rage and resistance” with Antiproduct, touring the country and putting out four albums. During this time, she fell in love with spoken word and after a trip back to her homeland, Puerto Rico with her brother; together they created the spoken word group, Rebel Poets. Taína moved to Philadelphia to be closer to a Puerto Rican community, teaching poetry and drawing in many places, including Taller Puertorriqueño and a women’s correctional facility. She works collaboratively with groups like Nzinga7 Arts Collective, a Philadelphia-based women’s afro-modern dance collective with whom she performs choreo-poems and sings with the underground Puerto Rican punk rock/hip hop band, Ricanstruction. Her art is not just “politically conscious, but it is based in the concrete organizing work” she does in her community, using “art as a weapon for the mental and physical transformation and freedom” of her people. The goal of her art is for it to “speak to and with as many of those as possible who find themselves along the margins” of society.

Related News

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